DELETED RECORDING OF COVID MURDER CONFESSIONS AND LIKE THE SAME FOR 8 YEARS WHILST BEING ATTACKED BY SECURITY IN BATHJROOM GET LINUX EXPERT TO HACK LAPTOP AND DELETED ALL EVIDENCE.
Germany
Germany opens huge new spy HQ in Berlin
At the official opening, Chancellor Angela Merkel stressed Germany's need for a "strong, efficient foreign intelligence agency." Hidden in the countryside for decades, the BND has finally arrived in the heart of Berlin.
In the language of Nazism, Gleichschaltung meant the complete ideological coordination of all political, social, and cultural activities, so that every element of German life would become part of the National Socialist machine under Hitler's dictatorship. Literature, including children's literature, was either banned, censored, "adjusted" to Nazi mythology, or produced specifically to propagandize for that mythology. As Christa Kamenetsky repeatedly demonstrates in her comprehensive and carefully researched study, all children's literature published under Nazism was aimed to further single-minded and politically empowered indoctrination.
Professor Kamenetsky's book affects the reader beyond its declared intention of demonstrating how the Nazis used censorship and "völkisch ideology" to teach children to "internalize National Socialist ideology and defend it enthusiastically" (xii). Her study overwhelms the reader with the picture of what must surely have been a censor's utopia, for she reveals the two-fold dream of censors in operation: aggression against everything that does not fit the censor's view and imposition of a predetermined value system by the censor whose aggression has been successful. The personal and developmental needs of the child and young adult were, of course, totally disregarded under ideological Gleichschaltung. Kamenetsky covers all aspects of her subject, from origin to publishing trends, but all her discussions are variables of those key terms—censorship and mythmaking.