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Bigger Bach Set
Various Artists
Michael Rippon
Waldemar Kmentt
Hans Braun
Anny Felbermeyer
Walter Berry
Harald Hermann
Paula Robison
Margit Opawsky
Frederic Guthrie
Margaret Sjöstedt
James Friskin
Orchestra of the Vienna State Opera
Helen Watts
T Stich-Randall
James Buswell
Theresa Stich-Randall
Erika Wien
Waldemar Kmett
VTheresa Stich-Randall
Anny Felbermayer
Hugo Meyer-Welfing
Norman Foster
Maureen Forrester
VMargit Opawsky
U Ebrelius
Felicity Palmer
ienna State Opera Orchestra
Felix Prohaska
Robert Tear
Timothy Eddy
Anton Heiller
Antonio Janigro
Michael Gielen
Johannes Somary
I Solisti di Zagreb
Kenneth Cooper
Anton Dermota
Fernando Valenti
Cham Orch of Vienna State Opera
State Opera Orchestra
Choir of the Vienna State Opera
English Chamber Orchestra
Akademie Choir
Wiener Symphoniker
Amor Artis Chorale
Mogens Woldike
Vienna Chamber Orchestra
Boys Choir of the Schottenstift
Choir of the Bach Guild
Mimi Coertse
Alfred Uhl
F Kummer
Orchestra of the Bach Guild
Hilde Rössl-Majdan
Kurt Equiluz
W Kmentt
Vienna Chamber Choir
Friedl Kummer
Uno Ebrelius
Maja Weis-Osborn
Chamber Orchestra of Vienna State Opera
H Rossl-Majdan
feat.
Felix Prohaska* <conductor>Vienna
Josef Nebois
Rudolf Streng
Wilhelm Hubner
Helmut Wobisch
293
песни
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Классическая
2013
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Песни
Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903)
James Friskin
–
Bigger Bach Set
6:25
Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948)
James Friskin
–
Bigger Bach Set
4:59
Italian Concerto, BWV971: i. Allegro
James Friskin
–
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4:12
Italian Concerto, BWV971: ii. Andante
James Friskin
–
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5:04
Italian Concerto, BWV971: iii. Presto
James Friskin
–
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4:00
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey)
James Friskin
–
Bigger Bach Set
1:49
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad)
James Friskin
–
Bigger Bach Set
1:17
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends)
James Friskin
–
Bigger Bach Set
2:27
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be)
James Friskin
–
Bigger Bach Set
0:27
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione
James Friskin
–
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1:05
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione
James Friskin
–
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2:20
Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin
James Friskin
–
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2:47
Toccata in C Minor, BWV911
James Friskin
–
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10:06
French Suite No. 3 in B Minor BWV814: i. Allemande
James Friskin
–
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2:07
French Suite No. 3 in B Minor BWV814: ii. Courante
James Friskin
–
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1:23
French Suite No. 3 in B Minor BWV814: iii. Sarabande
James Friskin
–
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2:35
French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio
James Friskin
–
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1:22
French Suite No. 3 in B Minor BWV814: v. Gavotte
James Friskin
–
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2:58
French Suite No. 3 in B Minor BWV814: vi. Gigue
James Friskin
–
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1:14
French Suite No. 4 in E-flat Major, BWV815: i. Allemande
James Friskin
–
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1:20
French Suite No. 4 in E-flat Major, BWV815: ii. Courante
James Friskin
–
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1:15
French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande
James Friskin
–
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1:33
French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte
James Friskin
–
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1:06
French Suite No. 4 in E-flat Major, BWV815: v. Air
James Friskin
–
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1:24
French Suite No. 4 in E-flat Major, BWV815: vi. Menuet
James Friskin
–
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0:58
French Suite No. 4 in E-flat Major, BWV815: vii. Gigue
James Friskin
–
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2:30
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme
Choir of the Bach Guild
Felix Prohaska
Orchestra of the Bach Guild
–
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7:15
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt
Alfred Uhl
Choir of the Bach Guild
Orchestra of the Bach Guild
Felix Prohaska
–
Bigger Bach Set
1:12
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil
Anny Felbermeyer
Hans Braun
Felix Prohaska
Choir of the Bach Guild
Orchestra of the Bach Guild
–
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6:05
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake')
Choir of the Bach Guild
Orchestra of the Bach Guild
Felix Prohaska
–
Bigger Bach Set
4:39
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir
Hans Braun
Choir of the Bach Guild
Orchestra of the Bach Guild
Felix Prohaska
–
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1:48
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein!
Anny Felbermeyer
Felix Prohaska
Choir of the Bach Guild
Hans Braun
Orchestra of the Bach Guild
–
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4:14
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen
Choir of the Bach Guild
Felix Prohaska
Orchestra of the Bach Guild
–
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1:55
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden
Choir of the Bach Guild
Orchestra of the Bach Guild
Felix Prohaska
–
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5:45
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt
Anny Felbermeyer
Orchestra of the Bach Guild
Felix Prohaska
Choir of the Bach Guild
–
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3:51
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn
Alfred Uhl
Choir of the Bach Guild
Orchestra of the Bach Guild
Felix Prohaska
–
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2:03
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg
Choir of the Bach Guild
Felix Prohaska
Orchestra of the Bach Guild
–
Bigger Bach Set
2:33
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm
Hans Braun
Orchestra of the Bach Guild
Felix Prohaska
Choir of the Bach Guild
–
Bigger Bach Set
3:48
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest
Anny Felbermeyer
Choir of the Bach Guild
Orchestra of the Bach Guild
Alfred Uhl
Felix Prohaska
–
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1:56
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl
Choir of the Bach Guild
Felix Prohaska
Orchestra of the Bach Guild
–
Bigger Bach Set
1:18
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein
Wiener Symphoniker
Vienna Chamber Choir
Michael Gielen
–
Bigger Bach Set
2:51
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt
Harald Hermann
Vienna Chamber Choir
Michael Gielen
Wiener Symphoniker
–
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6:01
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor
Margit Opawsky
Michael Gielen
Wiener Symphoniker
Vienna Chamber Choir
–
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1:29
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt
Hilde Rössl-Majdan
Vienna Chamber Choir
Wiener Symphoniker
Michael Gielen
–
Bigger Bach Set
2:20
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht
Harald Hermann
Wiener Symphoniker
Vienna Chamber Choir
Michael Gielen
–
Bigger Bach Set
1:26
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr
Wiener Symphoniker
Michael Gielen
Vienna Chamber Choir
–
Bigger Bach Set
0:45
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir
Wiener Symphoniker
Michael Gielen
Vienna Chamber Choir
–
Bigger Bach Set
4:34
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib
Hilde Rössl-Majdan
Michael Gielen
Wiener Symphoniker
Vienna Chamber Choir
–
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5:35
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken
Waldemar Kmett
Wiener Symphoniker
Vienna Chamber Choir
Michael Gielen
–
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1:08
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren
VMargit Opawsky
ienna State Opera Orchestra
Michael Gielen
Vienna Chamber Choir
–
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9:24
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz
Harald Hermann
Wiener Symphoniker
Vienna Chamber Choir
Michael Gielen
–
Bigger Bach Set
1:07
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich
Wiener Symphoniker
Michael Gielen
Vienna Chamber Choir
–
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1:17
Magnificat in D, BWV243: i. Coro: Magnificat anima mea
Wiener Symphoniker
Felix Prohaska
Vienna Chamber Choir
–
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3:09
Magnificat in D, BWV243: ii. Aria: Et exsultavit spiritus meus
Margaret Sjöstedt
Wiener Symphoniker
Vienna Chamber Choir
Felix Prohaska
–
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2:28
Magnificat in D, BWV243: iii. Aria: Quia respexit humilitatem
Mimi Coertse
Vienna Chamber Choir
Wiener Symphoniker
Felix Prohaska
–
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2:50
Magnificat in D, BWV243: iv. Coro: Omnes generationes
Wiener Symphoniker
Vienna Chamber Choir
Felix Prohaska
–
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1:33
Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna
Frederic Guthrie
Vienna Chamber Choir
Wiener Symphoniker
Felix Prohaska
–
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2:14
Magnificat in D, BWV243: vi. Duetto: Et misericordia
Hilde Rössl-Majdan
Anton Dermota
Wiener Symphoniker
Felix Prohaska
Vienna Chamber Choir
–
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3:50
Magnificat in D, BWV243: vii. Coro: Fecit potentiam
Wiener Symphoniker
Felix Prohaska
Vienna Chamber Choir
–
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2:06
Magnificat in D, BWV243: viii. Aria: Deposuit potentes
Anton Dermota
Felix Prohaska
Wiener Symphoniker
Vienna Chamber Choir
–
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2:24
Magnificat in D, BWV243: ix. Aria: Esurientes implevit bonis
Hilde Rössl-Majdan
Wiener Symphoniker
Vienna Chamber Choir
Felix Prohaska
–
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2:52
Magnificat in D, BWV243: x. Terzetto: Suscepit Israel
Margaret Sjöstedt
Felix Prohaska
Vienna Chamber Choir
Mimi Coertse
Hilde Rössl-Majdan
Wiener Symphoniker
–
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2:18
Magnificat in D, BWV243: xi. Coro: Sicut locutus est
Wiener Symphoniker
Vienna Chamber Choir
Felix Prohaska
–
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1:23
Magnificat in D, BWV243: xii. Coro: Gloria Patri
Wiener Symphoniker
Felix Prohaska
Vienna Chamber Choir
–
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2:10
Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: i. Adagio
James Buswell
Fernando Valenti
–
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4:38
Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: ii. Allegro
James Buswell
Fernando Valenti
–
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3:22
Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iii. Andante
James Buswell
Fernando Valenti
–
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3:48
Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iv. Allegro
James Buswell
Fernando Valenti
–
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3:33
Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: i. Adagio
James Buswell
Fernando Valenti
–
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3:47
Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: ii. Allegro assai
James Buswell
Fernando Valenti
–
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3:09
Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco
James Buswell
Fernando Valenti
–
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4:04
No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iv. Presto
James Buswell
Fernando Valenti
–
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4:53
Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: i. Adagio
James Buswell
Fernando Valenti
–
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6:47
Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: ii. Allegro
James Buswell
Fernando Valenti
–
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3:13
Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto
James Buswell
Fernando Valenti
–
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6:09
Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro
James Buswell
Fernando Valenti
–
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3:46
Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: i. Siciliano
James Buswell
Fernando Valenti
–
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7:20
Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: ii. Allegro
James Buswell
Fernando Valenti
–
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4:42
Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio
James Buswell
Fernando Valenti
–
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4:44
Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iv. Allegro
James Buswell
Fernando Valenti
–
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4:36
Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo
James Buswell
Fernando Valenti
–
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7:35
Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: ii. Allegro
James Buswell
Fernando Valenti
–
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4:45
Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio
James Buswell
Fernando Valenti
–
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5:32
Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace
James Buswell
Fernando Valenti
–
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2:09
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: i. Allegro
James Buswell
Fernando Valenti
–
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3:47
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: ii. Largo
James Buswell
Fernando Valenti
–
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2:08
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iii. Allegro
James Buswell
Fernando Valenti
–
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5:13
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iv. Adagio
James Buswell
Fernando Valenti
–
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4:15
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: v. Allegro
James Buswell
Fernando Valenti
–
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3:06
Passion According to St. Matthew, BWV 244: 1. Chorus: Kommt, ihr Töchter, helft mir klagen
Chamber Orchestra of Vienna State Opera
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
Anton Heiller
–
Bigger Bach Set
8:57
Passion According to St. Matthew, BWV 244: 2. Recitative (Evangelist, Jesus): Da Jesus diese Rede vollendet hatte
Uno Ebrelius
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Hans Braun
Boys Choir of the Schottenstift
Vienna Chamber Choir
Anton Heiller
–
Bigger Bach Set
0:45
Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen
Chamber Orchestra of Vienna State Opera
Vienna Chamber Choir
Mogens Woldike
Anton Heiller
Boys Choir of the Schottenstift
–
Bigger Bach Set
1:02
Passion According to St. Matthew, BWV 244: 4. Recitative (Evangelist): Da versammelten sich die Hohenpriester
Uno Ebrelius
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Boys Choir of the Schottenstift
Vienna Chamber Choir
Anton Heiller
–
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0:29
Passion According to St. Matthew, BWV 244: 5. Chorus: Ja nicht auf das Fest
Chamber Orchestra of Vienna State Opera
Vienna Chamber Choir
Mogens Woldike
Anton Heiller
Boys Choir of the Schottenstift
–
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0:19
Passion According to St. Matthew, BWV 244: 6. Recitative (Evangelist): Da nun Jesus war zu Bethanien
Uno Ebrelius
Anton Heiller
Boys Choir of the Schottenstift
Vienna Chamber Choir
Chamber Orchestra of Vienna State Opera
Mogens Woldike
–
Bigger Bach Set
0:32
Passion According to St. Matthew, BWV 244: 7. Chorus: Wozu dienet dieser Unrath
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Boys Choir of the Schottenstift
Vienna Chamber Choir
Anton Heiller
–
Bigger Bach Set
0:34
Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete
Uno Ebrelius
Vienna Chamber Choir
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Anton Heiller
Boys Choir of the Schottenstift
–
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1:26
Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du
Chamber Orchestra of Vienna State Opera
Vienna Chamber Choir
Mogens Woldike
Anton Heiller
Boys Choir of the Schottenstift
–
Bigger Bach Set
1:10
Passion According to St. Matthew, BWV 244: 10. Aria (Alto): Buß und Reu
Hilde Rössl-Majdan
Boys Choir of the Schottenstift
Vienna Chamber Choir
Anton Heiller
Chamber Orchestra of Vienna State Opera
Mogens Woldike
–
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5:21
Passion According to St. Matthew, BWV 244: 11. Recitative (Evangelist, Judas): Da ging hin der Zwölfen einer
Uno Ebrelius
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Vienna Chamber Choir
Mogens Woldike
Friedl Kummer
–
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0:40
Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
–
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4:01
Passion According to St. Matthew, BWV 244: 13. Recitative (Evangelist): Aber am ersten Tage der süßen Brot
Uno Ebrelius
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Vienna Chamber Choir
Mogens Woldike
–
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0:11
Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere
Chamber Orchestra of Vienna State Opera
Anton Heiller
Mogens Woldike
Boys Choir of the Schottenstift
Vienna Chamber Choir
–
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0:23
Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt
Uno Ebrelius
Mogens Woldike
Waldemar Kmentt
Boys Choir of the Schottenstift
Anton Heiller
Vienna Chamber Choir
Hans Braun
Chamber Orchestra of Vienna State Opera
–
Bigger Bach Set
1:42
Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's?/ Chorale: Ich bin's, ich sollte büßfen
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Vienna Chamber Choir
Mogens Woldike
–
Bigger Bach Set
1:05
Passion According to St. Matthew, BWV 244: 17. Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand mit mir
U Ebrelius
Boys Choir of the Schottenstift
Mogens Woldike
W Kmentt
F Kummer
Vienna Chamber Choir
Chamber Orchestra of Vienna State Opera
Anton Heiller
–
Bigger Bach Set
3:37
Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt
Theresa Stich-Randall
Mogens Woldike
Boys Choir of the Schottenstift
Vienna Chamber Choir
Anton Heiller
Chamber Orchestra of Vienna State Opera
–
Bigger Bach Set
1:54
Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken
Theresa Stich-Randall
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Vienna Chamber Choir
Mogens Woldike
–
Bigger Bach Set
4:28
Passion According to St. Matthew, BWV 244: 20. Recitative (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten
Uno Ebrelius
Waldemar Kmentt
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
Chamber Orchestra of Vienna State Opera
Anton Heiller
Hans Braun
–
Bigger Bach Set
1:07
Passion According to St. Matthew, BWV 244: 21. Chorale: Erkenne mich, mein Hüter
Chamber Orchestra of Vienna State Opera
Boys Choir of the Schottenstift
Vienna Chamber Choir
Mogens Woldike
Anton Heiller
–
Bigger Bach Set
1:19
Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm
Uno Ebrelius
Hans Braun
Chamber Orchestra of Vienna State Opera
Anton Heiller
Waldemar Kmentt
Boys Choir of the Schottenstift
Vienna Chamber Choir
Mogens Woldike
–
Bigger Bach Set
1:09
Passion According to St. Matthew, BWV 244: 23. Chorale: Ich will hier bei dir stehen
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Boys Choir of the Schottenstift
Anton Heiller
Vienna Chamber Choir
–
Bigger Bach Set
1:19
Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe
Uno Ebrelius
Mogens Woldike
Boys Choir of the Schottenstift
Anton Heiller
Vienna Chamber Choir
Chamber Orchestra of Vienna State Opera
–
Bigger Bach Set
1:40
Passion According to St. Matthew, BWV 244: 25. Recitative (Tenor, Chorus): O Schmerz! Hier zittert das gequälte Herz
Waldemar Kmentt
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Boys Choir of the Schottenstift
Vienna Chamber Choir
Anton Heiller
–
Bigger Bach Set
2:35
Passion According to St. Matthew, BWV 244: 26. Aria (Tenor, Chorus): Ich will bei meinem Jesu wachen
Waldemar Kmentt
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
–
Bigger Bach Set
5:50
Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig
Uno Ebrelius
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Hans Braun
Boys Choir of the Schottenstift
Vienna Chamber Choir
Anton Heiller
–
Bigger Bach Set
0:50
Passion According to St. Matthew, BWV 244: 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
–
Bigger Bach Set
1:23
Passion According to St. Matthew, BWV 244: 29. Aria (Bass): Gerne will ich mich bequemen
Chamber Orchestra of Vienna State Opera
Boys Choir of the Schottenstift
Vienna Chamber Choir
Anton Heiller
Mogens Woldike
–
Bigger Bach Set
6:05
Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern
Uno Ebrelius
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
Chamber Orchestra of Vienna State Opera
Anton Heiller
Hans Braun
–
Bigger Bach Set
1:19
Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit
Chamber Orchestra of Vienna State Opera
Vienna Chamber Choir
Mogens Woldike
Anton Heiller
Boys Choir of the Schottenstift
–
Bigger Bach Set
1:23
Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend
Uno Ebrelius
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
Friedl Kummer
Chamber Orchestra of Vienna State Opera
Anton Heiller
Hans Braun
–
Bigger Bach Set
2:31
Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden?
Theresa Stich-Randall
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
Chamber Orchestra of Vienna State Opera
Anton Heiller
–
Bigger Bach Set
5:24
Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren
Hilde Rössl-Majdan
Vienna Chamber Choir
Mogens Woldike
Hans Braun
Chamber Orchestra of Vienna State Opera
Uno Ebrelius
Anton Heiller
Boys Choir of the Schottenstift
–
Bigger Bach Set
2:24
Passion According to St. Matthew, BWV 244: 35. Chorale: O Mensch, bewein dein Sünde groß
Chamber Orchestra of Vienna State Opera
Vienna Chamber Choir
Mogens Woldike
Anton Heiller
Boys Choir of the Schottenstift
–
Bigger Bach Set
9:15
Passion According to St. Matthew, BWV 244: 36. Aria (Alto) and Chorus: Ach! nun ist mein Jesus hin
Hilde Rössl-Majdan
Vienna Chamber Choir
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Anton Heiller
Boys Choir of the Schottenstift
–
Bigger Bach Set
4:57
Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten
Uno Ebrelius
Anton Heiller
Chamber Orchestra of Vienna State Opera
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
–
Bigger Bach Set
1:09
Passion According to St. Matthew, BWV 244: 38. Chorale: Mir hat die Welt trüglich gerricht'
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Vienna Chamber Choir
Mogens Woldike
–
Bigger Bach Set
0:59
Passion According to St. Matthew, BWV 244: 39. Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten
Uno Ebrelius
Chamber Orchestra of Vienna State Opera
Anton Heiller
Mogens Woldike
Boys Choir of the Schottenstift
Vienna Chamber Choir
–
Bigger Bach Set
1:20
Passion According to St. Matthew, BWV 244: 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille
Waldemar Kmentt
Anton Heiller
Chamber Orchestra of Vienna State Opera
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
–
Bigger Bach Set
1:19
Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen!
Waldemar Kmentt
Anton Heiller
Chamber Orchestra of Vienna State Opera
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
–
Bigger Bach Set
4:24
Passion According to St. Matthew, BWV 244: 42 Recitative (Evangelist, High Priest, Jesus): Und der Hohepriester antwortete / Chorus: Er ist des Todes schuldig
Uno Ebrelius
Anton Heiller
Chamber Orchestra of Vienna State Opera
Hans Braun
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
–
Bigger Bach Set
1:42
Passion According to St. Matthew, BWV 244: 43. Recitative (Evangelist): Da speieten sie aus / Chorus: Weissage uns, Christe
Uno Ebrelius
Vienna Chamber Choir
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Anton Heiller
Boys Choir of the Schottenstift
–
Bigger Bach Set
0:43
Passion According to St. Matthew, BWV 244: 44. Chorale: Wer hat dich so geschlagen
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Boys Choir of the Schottenstift
Anton Heiller
Vienna Chamber Choir
–
Bigger Bach Set
1:02
Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast / Chorus: Wahrlich, du bist auch einer von denen
Uno Ebrelius
Mogens Woldike
Boys Choir of the Schottenstift
Anton Heiller
Vienna Chamber Choir
Chamber Orchestra of Vienna State Opera
–
Bigger Bach Set
1:19
Passion According to St. Matthew, BWV 244: 46. Recitative (Tenor, Bass): Da hub er an, sich zu verfluchen
Waldemar Kmentt
Anton Heiller
Chamber Orchestra of Vienna State Opera
Boys Choir of the Schottenstift
Vienna Chamber Choir
Mogens Woldike
–
Bigger Bach Set
1:15
Passion According to St. Matthew, BWV 244: 47. Aria (Alto): Erbarme dich, mein Gott
Hilde Rössl-Majdan
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
Anton Heiller
Chamber Orchestra of Vienna State Opera
–
Bigger Bach Set
7:52
Passion According to St. Matthew, BWV 244: 48. Chorale: Bin ich gleich von der gewichen
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
–
Bigger Bach Set
1:14
Passion According to St. Matthew, BWV 244: 49. Recitative (Evangelist, Judas): Des Morgens aber hielten alle Hohepriester / Chorus: Was gehet uns das an / Chorus: Was gehet uns das an
Uno Ebrelius
Anton Heiller
Boys Choir of the Schottenstift
Vienna Chamber Choir
Chamber Orchestra of Vienna State Opera
Friedl Kummer
Mogens Woldike
–
Bigger Bach Set
1:13
Passion According to St. Matthew, BWV 244: 50. Recitative (Evangelist, High Priests): Und er warf die Silberlinge in den Tempel
Uno Ebrelius
Vienna Chamber Choir
Mogens Woldike
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
–
Bigger Bach Set
0:51
Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
–
Bigger Bach Set
3:48
Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat
Uno Ebrelius
Mogens Woldike
Boys Choir of the Schottenstift
Vienna Chamber Choir
Chamber Orchestra of Vienna State Opera
Anton Heiller
Hans Braun
–
Bigger Bach Set
2:23
Passion According to St. Matthew, BWV 244: 53. Chorale: Befiehl du deine Wege
Chamber Orchestra of Vienna State Opera
Vienna Chamber Choir
Mogens Woldike
Anton Heiller
Boys Choir of the Schottenstift
–
Bigger Bach Set
1:21
Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfleger Gewohnheit / Chorus: Laß ihn kreuzigen!
Uno Ebrelius
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Boys Choir of the Schottenstift
Vienna Chamber Choir
Anton Heiller
–
Bigger Bach Set
2:44
Passion According to St. Matthew, BWV 244: 55. Chorale: Wie wunderbarlich ist doch diese Strafe!
Chamber Orchestra of Vienna State Opera
Boys Choir of the Schottenstift
Vienna Chamber Choir
Mogens Woldike
Anton Heiller
–
Bigger Bach Set
0:58
Passion According to St. Matthew, BWV 244: 56. Recitative (Evangelist, Pilate): Der Landpfleger sagte
Uno Ebrelius
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Boys Choir of the Schottenstift
Vienna Chamber Choir
Anton Heiller
–
Bigger Bach Set
0:17
Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan
Theresa Stich-Randall
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Vienna Chamber Choir
Mogens Woldike
–
Bigger Bach Set
1:27
Passion According to St. Matthew, BWV 244: 58. Aria (Soprano): Aus Liebe will mein Heiland sterben
Theresa Stich-Randall
Anton Heiller
Chamber Orchestra of Vienna State Opera
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
–
Bigger Bach Set
5:49
Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: Da aber Pilatus sahe / Chorus: Sein Blut komme über uns / Recitative: Da gab er ihnen Barrabam los
Uno Ebrelius
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
Anton Heiller
Chamber Orchestra of Vienna State Opera
–
Bigger Bach Set
2:24
Passion According to St. Matthew, BWV 244: 60. Recitative (Alto): Erbarm es Gott!
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Vienna Chamber Choir
Mogens Woldike
–
Bigger Bach Set
1:21
Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen
Hilde Rössl-Majdan
Anton Heiller
Chamber Orchestra of Vienna State Opera
Boys Choir of the Schottenstift
Vienna Chamber Choir
Mogens Woldike
–
Bigger Bach Set
8:11
Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Judenkönig
Uno Ebrelius
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
Anton Heiller
Chamber Orchestra of Vienna State Opera
–
Bigger Bach Set
1:21
Passion According to St. Matthew, BWV 244: 63. Chorale: O Haupt voll Blut und Wunden
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
–
Bigger Bach Set
2:46
Passion According to St. Matthew, BWV 244: 64. Recitative (Evangelist): Und da sie ihn verspottet hatten
Uno Ebrelius
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
Anton Heiller
Chamber Orchestra of Vienna State Opera
–
Bigger Bach Set
0:55
Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut
Chamber Orchestra of Vienna State Opera
Anton Heiller
Mogens Woldike
Boys Choir of the Schottenstift
Vienna Chamber Choir
–
Bigger Bach Set
0:38
Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, süßes Kreuz, so will ich sagen
Chamber Orchestra of Vienna State Opera
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
Anton Heiller
–
Bigger Bach Set
6:55
Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempel Gottes zerbrichst
Uno Ebrelius
Chamber Orchestra of Vienna State Opera
Anton Heiller
Mogens Woldike
Boys Choir of the Schottenstift
Vienna Chamber Choir
–
Bigger Bach Set
3:44
Passion According to St. Matthew, BWV 244: 68. Recitative (Evangelist): Desgleichen schmäheten ihn auch die Mörder / Chorus: Andern hat er geholfen
Uno Ebrelius
Boys Choir of the Schottenstift
Vienna Chamber Choir
Anton Heiller
Chamber Orchestra of Vienna State Opera
Mogens Woldike
–
Bigger Bach Set
0:18
Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha!
Hilde Rössl-Majdan
Vienna Chamber Choir
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Anton Heiller
Boys Choir of the Schottenstift
–
Bigger Bach Set
2:06
Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand
Hilde Rössl-Majdan
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Vienna Chamber Choir
Mogens Woldike
–
Bigger Bach Set
3:44
Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitative: Und bald lief einer unter ihnen / Chorus: Halt, laß sehen / Recitative: Aber, Jesus schriee
Uno Ebrelius
Anton Heiller
Chamber Orchestra of Vienna State Opera
Hans Braun
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
–
Bigger Bach Set
2:19
Passion According to St. Matthew, BWV 244: 72. Chorale: Wenn ich einmal soll scheiden
Chamber Orchestra of Vienna State Opera
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
Anton Heiller
–
Bigger Bach Set
1:53
Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrlich, dieser ist Gottes Sohn gewesen / Recitative (Evangelist): Und es waren viel Weiber da
Uno Ebrelius
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Boys Choir of the Schottenstift
Vienna Chamber Choir
Anton Heiller
–
Bigger Bach Set
2:45
Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war
Chamber Orchestra of Vienna State Opera
Boys Choir of the Schottenstift
Vienna Chamber Choir
Anton Heiller
Mogens Woldike
–
Bigger Bach Set
2:25
Passion According to St. Matthew, BWV 244: 75. Aria (Bass): Mache dich, mein Herze, rein
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Mogens Woldike
Vienna Chamber Choir
–
Bigger Bach Set
8:03
Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht / Recitative: Pilatus sprach zu ihnen
Uno Ebrelius
Vienna Chamber Choir
Chamber Orchestra of Vienna State Opera
Mogens Woldike
Anton Heiller
Boys Choir of the Schottenstift
–
Bigger Bach Set
2:59
Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht
T Stich-Randall
Cham Orch of Vienna State Opera
Boys Choir of the Schottenstift
Mogens Woldike
W Kmentt
Vienna Chamber Choir
H Rossl-Majdan
Anton Heiller
–
Bigger Bach Set
2:22
Passion According to St. Matthew, BWV 244: 78. Chorus: Wir setzen uns mit Tränen nieder
Chamber Orchestra of Vienna State Opera
Anton Heiller
Boys Choir of the Schottenstift
Vienna Chamber Choir
Mogens Woldike
–
Bigger Bach Set
7:03
Sonata in A Major for Flute and Harpsichord, BWV 1032: i. Vivace
Paula Robison
Kenneth Cooper
Timothy Eddy
–
Bigger Bach Set
4:17
Sonata in A Major for Flute and Harpsichord, BWV 1032: ii. Largo e dolce
Paula Robison
Timothy Eddy
Kenneth Cooper
–
Bigger Bach Set
3:12
Sonata in A Major for Flute and Harpsichord, BWV 1032: iii. Allegro
Paula Robison
Kenneth Cooper
Timothy Eddy
–
Bigger Bach Set
4:57
Sonata in A Major for Flute and Harpsichord, BWV 1020: i. [Allegro]
Paula Robison
Kenneth Cooper
Timothy Eddy
–
Bigger Bach Set
3:30
Sonata in A Major for Flute and Harpsichord, BWV 1020: ii. Adagio
Paula Robison
Timothy Eddy
Kenneth Cooper
–
Bigger Bach Set
4:21
Sonata in A Major for Flute and Harpsichord, BWV 1020: iii. Allegro
Paula Robison
Kenneth Cooper
Timothy Eddy
–
Bigger Bach Set
4:28
Partita in A Minor for Solo Flute, BWV 1013: i. Allemande
Paula Robison
–
Bigger Bach Set
3:17
Partita in A Minor for Solo Flute, BWV 1013: ii. Corrente
Paula Robison
–
Bigger Bach Set
3:37
Partita in A Minor for Solo Flute, BWV 1013: iii. Sarabande
Paula Robison
–
Bigger Bach Set
4:11
Partita in A Minor for Solo Flute, BWV 1013: iv. Bourree Anglaise
Paula Robison
–
Bigger Bach Set
2:41
Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto
Paula Robison
Kenneth Cooper
Timothy Eddy
–
Bigger Bach Set
3:55
Sonata in E Major for Flute and Harpsichord, BWV 1035: ii. Allegro
Paula Robison
Timothy Eddy
Kenneth Cooper
–
Bigger Bach Set
4:42
Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano
Paula Robison
Kenneth Cooper
Timothy Eddy
–
Bigger Bach Set
2:43
Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid
Paula Robison
Timothy Eddy
Kenneth Cooper
–
Bigger Bach Set
3:03
Sonata in C Major for Flute and Basso Continuo, BWV 1033: i. Andante - Presto - Allegro
Paula Robison
Kenneth Cooper
Timothy Eddy
–
Bigger Bach Set
3:27
Sonata in C Major for Flute and Basso Continuo, BWV 1033: ii. Adagio - Menuets 1 & 2
Paula Robison
Timothy Eddy
Kenneth Cooper
–
Bigger Bach Set
3:16
Sonata in E Minor for Flute and Basso Continuo, BWV 1034: i. Adagio ma non tanto
Paula Robison
Kenneth Cooper
Timothy Eddy
–
Bigger Bach Set
4:08
Sonata in E Minor for Flute and Basso Continuo, BWV 1034: ii. Allegro
Paula Robison
Kenneth Cooper
Timothy Eddy
–
Bigger Bach Set
3:32
Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante
Paula Robison
Timothy Eddy
Kenneth Cooper
–
Bigger Bach Set
2:32
Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro
Paula Robison
Kenneth Cooper
Timothy Eddy
–
Bigger Bach Set
2:33
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: i. Aria (Soprano): Weichet nur, betrubte Schatten
Anny Felbermayer
Orchestra of the Bach Guild
Felix Prohaska
Choir of the Bach Guild
–
Bigger Bach Set
6:11
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu
Anny Felbermayer
Orchestra of the Bach Guild
Felix Prohaska
Choir of the Bach Guild
–
Bigger Bach Set
0:31
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iii. Aria (Soprano): Phoebus eilt mit schnellen Pferden
Anny Felbermayer
Orchestra of the Bach Guild
Felix Prohaska
Choir of the Bach Guild
–
Bigger Bach Set
3:59
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Vergnugen
Anny Felbermayer
Felix Prohaska
Choir of the Bach Guild
Orchestra of the Bach Guild
–
Bigger Bach Set
0:45
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: v. Aria (Soprano): Wenn die Fruhlingslufte streichen
Anny Felbermayer
Orchestra of the Bach Guild
Felix Prohaska
Choir of the Bach Guild
–
Bigger Bach Set
2:48
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vi. Recitative (Soprano): Und dieses ist das Glucke
Anny Felbermayer
Felix Prohaska
Choir of the Bach Guild
Orchestra of the Bach Guild
–
Bigger Bach Set
0:52
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen
Anny Felbermayer
Choir of the Bach Guild
Orchestra of the Bach Guild
Felix Prohaska
–
Bigger Bach Set
4:33
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keuschen Liebe
Anny Felbermayer
Felix Prohaska
Choir of the Bach Guild
Orchestra of the Bach Guild
–
Bigger Bach Set
0:30
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ix. Gavotte (Soprano): Sehet in Zufriedenheit tausend helle Wohlfahrstage
Anny Felbermayer
Orchestra of the Bach Guild
Felix Prohaska
Choir of the Bach Guild
–
Bigger Bach Set
1:53
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor
Theresa Stich-Randall
Wiener Symphoniker
Anton Heiller
feat.
Helmut Wobisch
Rudolf Streng
Josef Nebois
Wilhelm Hubner
–
Bigger Bach Set
7:02
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: ii. Recitative (Soprano): Non sa che sia dolore
Theresa Stich-Randall
Anton Heiller
Wiener Symphoniker
feat.
Wilhelm Hubner
Rudolf Streng
Helmut Wobisch
Josef Nebois
–
Bigger Bach Set
1:25
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iii. Aria (Soprano): Parti pur, e con dolore
Theresa Stich-Randall
Anton Heiller
Wiener Symphoniker
feat.
Wilhelm Hubner
Helmut Wobisch
Rudolf Streng
Josef Nebois
–
Bigger Bach Set
9:54
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iv. Recitative (Soprano): Tuo saver al tempo e l'eta contrasta
Theresa Stich-Randall
Wiener Symphoniker
Anton Heiller
feat.
Rudolf Streng
Josef Nebois
Wilhelm Hubner
Helmut Wobisch
–
Bigger Bach Set
0:38
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: v. Aria (Soprano): Ricetti gramezza e pavento
Theresa Stich-Randall
Wiener Symphoniker
Anton Heiller
feat.
Josef Nebois
Wilhelm Hubner
Helmut Wobisch
Rudolf Streng
–
Bigger Bach Set
6:13
Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: i. Aria (Soprano): Jauchzet Gott in allen Landen!
Theresa Stich-Randall
Anton Heiller
Wiener Symphoniker
feat.
Wilhelm Hubner
Helmut Wobisch
Rudolf Streng
Josef Nebois
–
Bigger Bach Set
5:09
Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: ii. Recitative (Soprano): Wir beten zu dem Tempel an
Theresa Stich-Randall
Wiener Symphoniker
Anton Heiller
feat.
Helmut Wobisch
Rudolf Streng
Josef Nebois
Wilhelm Hubner
–
Bigger Bach Set
2:55
Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iii. Aria (Soprano): Höchster, mache deine Güte
VTheresa Stich-Randall
ienna State Opera Orchestra
Anton Heiller
feat.
Josef Nebois
Wilhelm Hubner
Rudolf Streng
Helmut Wobisch
–
Bigger Bach Set
5:10
Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iv. Chorale and Aria (Soprano): Sei Lob und Preis mit Ehren; Alleluia
Theresa Stich-Randall
Wiener Symphoniker
Anton Heiller
feat.
Josef Nebois
Wilhelm Hubner
Helmut Wobisch
Rudolf Streng
–
Bigger Bach Set
6:12
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: i. Chorus: Ein feste Burg ist unser Gott
English Chamber Orchestra
Amor Artis Chorale
Johannes Somary
–
Bigger Bach Set
6:38
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: ii. Aria with Chorale (Bass, Soprano): Alles, was von Gott geboren
Felicity Palmer
Johannes Somary
Amor Artis Chorale
English Chamber Orchestra
feat.
Michael Rippon
–
Bigger Bach Set
4:06
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iii. Recitative (Bass): Erwäge doch, Kind Gottes
Michael Rippon
English Chamber Orchestra
Amor Artis Chorale
Johannes Somary
–
Bigger Bach Set
2:25
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iv. Aria (Soprano): Komm in mein Herzenshaus
Felicity Palmer
Johannes Somary
Amor Artis Chorale
English Chamber Orchestra
–
Bigger Bach Set
4:01
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: v. Chorale: Und wenn die Welt voll Teufel wär
English Chamber Orchestra
Johannes Somary
Amor Artis Chorale
–
Bigger Bach Set
4:19
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vi. Recitative (Tenor): So stehe dann bei Christi blutgefärbten Fahne
Robert Tear
Amor Artis Chorale
Johannes Somary
English Chamber Orchestra
–
Bigger Bach Set
1:29
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vii. Duet (Alto, Tenor): Wie selig sind doch die, die Gott im Munde tragen
Helen Watts
Johannes Somary
Amor Artis Chorale
English Chamber Orchestra
Robert Tear
–
Bigger Bach Set
4:14
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: viii. Chorale: Das Wort sie sollen lassen stahn
English Chamber Orchestra
Amor Artis Chorale
Johannes Somary
–
Bigger Bach Set
1:52
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: i. Chorus: Lobet Gott in seinen Reichen
English Chamber Orchestra
Johannes Somary
Amor Artis Chorale
–
Bigger Bach Set
5:05
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ii. Evangelist (tenor): Der Herr Jesus hub seine Hände auf
Robert Tear
Amor Artis Chorale
Johannes Somary
English Chamber Orchestra
–
Bigger Bach Set
0:36
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iii. Recitative (bass): Ach, Jesu, ist dein Abschied schon so nah?
English Chamber Orchestra
Johannes Somary
Amor Artis Chorale
–
Bigger Bach Set
1:18
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iv. Aria (alto): Ach, bleibe doch, mein liebstes Leben
Michael Rippon
Johannes Somary
English Chamber Orchestra
Amor Artis Chorale
–
Bigger Bach Set
7:09
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: v. Evangelist: Und ward aufgehoben zusehends
Helen Watts
Robert Tear
Amor Artis Chorale
Johannes Somary
English Chamber Orchestra
feat.
Michael Rippon
–
Bigger Bach Set
0:29
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vi. Chorale: Nun lieget alles unter dir
English Chamber Orchestra
Amor Artis Chorale
Johannes Somary
–
Bigger Bach Set
1:32
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vii. Evangelists (tenor and bass): Und da sie ihm nachsahen gen Himmel fahren
Robert Tear
Johannes Somary
Amor Artis Chorale
English Chamber Orchestra
feat.
Michael Rippon
–
Bigger Bach Set
1:17
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: viii. Recitative (soprano): Ach ja! so komme bald zurück
Felicity Palmer
Johannes Somary
English Chamber Orchestra
Amor Artis Chorale
–
Bigger Bach Set
0:39
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ix. Evangelist: Sie aber beteten ihn an
Robert Tear
Amor Artis Chorale
English Chamber Orchestra
Johannes Somary
–
Bigger Bach Set
0:47
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: x, Aria (soprano): Jesu, deine Gnadenblicke
Felicity Palmer
Johannes Somary
English Chamber Orchestra
Amor Artis Chorale
–
Bigger Bach Set
7:04
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: xi. Chorale: Wenn soll es doch geschehen
English Chamber Orchestra
Amor Artis Chorale
Johannes Somary
–
Bigger Bach Set
4:46
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 1 (a 1 clav.)
James Friskin
–
Bigger Bach Set
1:54
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 2 (a 1 clav.)
James Friskin
–
Bigger Bach Set
0:58
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 3 (canone all'unisuono a 1 clav.)
James Friskin
–
Bigger Bach Set
0:52
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 4 (a 1 clav.)
James Friskin
–
Bigger Bach Set
2:32
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 5 (a 1 o vero 2 clav.)
James Friskin
–
Bigger Bach Set
1:05
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 6 (canone alla seconda a 1 clav.)
James Friskin
–
Bigger Bach Set
0:50
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 7 (a 1 o vero 2 clav., al tempo di giga)
James Friskin
–
Bigger Bach Set
0:46
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 8 (a 2 clav.)
James Friskin
–
Bigger Bach Set
0:46
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 9 (canone alla terza a 1 clav.)
James Friskin
–
Bigger Bach Set
0:59
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 10 (fughetta a 1 clav.)
James Friskin
–
Bigger Bach Set
0:51
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 11 (a 2 clav.)
James Friskin
–
Bigger Bach Set
0:48
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 12 (canone alla quarta a 1 clav.)
James Friskin
–
Bigger Bach Set
0:55
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 13 (a 2 clav.)
James Friskin
–
Bigger Bach Set
1:29
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 14 (a 2 clav.)
James Friskin
–
Bigger Bach Set
2:34
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 15 (canone alla quinta a 1 clav.: Andante)
James Friskin
–
Bigger Bach Set
1:10
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 16 (ouverture a 1 clav.)
James Friskin
–
Bigger Bach Set
1:56
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 17 (a 2 clav.)
James Friskin
–
Bigger Bach Set
1:59
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 18 (canone alla sexta a 1 clav.)
James Friskin
–
Bigger Bach Set
1:01
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 19 (a 1 clav.)
James Friskin
–
Bigger Bach Set
0:40
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 20 (a 2 clav.)
James Friskin
–
Bigger Bach Set
1:00
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 21 (canone alla settima a 1 clav.)
James Friskin
–
Bigger Bach Set
1:05
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 22 (a 1 clav. alla breve)
James Friskin
–
Bigger Bach Set
1:20
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 23 (a 2 clav.)
James Friskin
–
Bigger Bach Set
0:46
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 24 (canone all'ottava a 1 clav.)
James Friskin
–
Bigger Bach Set
1:09
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 25 (a 2 clav.: Adagio)
James Friskin
–
Bigger Bach Set
1:38
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 26 (a 2 clav.)
James Friskin
–
Bigger Bach Set
3:45
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 27 (canone alla nona a 2 clav.)
James Friskin
–
Bigger Bach Set
1:15
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 28 (a 2 clav.)
James Friskin
–
Bigger Bach Set
0:53
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 29 (a 1 o vero 2 clav.)
James Friskin
–
Bigger Bach Set
2:18
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 30 (quodlibet a 1 clav.)
James Friskin
–
Bigger Bach Set
2:06
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 31
James Friskin
–
Bigger Bach Set
1:30
Goldberg Variations, BWV988 (Clavier-Übung IV): Aria da capo
James Friskin
–
Bigger Bach Set
2:05
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: i. Sinfonia
Akademie Choir
Vienna Chamber Orchestra
Felix Prohaska
–
Bigger Bach Set
4:17
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ii. Adagio
Akademie Choir
Vienna Chamber Orchestra
Felix Prohaska
–
Bigger Bach Set
4:54
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iii. Duet (Tenor, Bass) and Chorus: Kommt, eilet und laufe
Kurt Equiluz
Walter Berry
Akademie Choir
Felix Prohaska
Vienna Chamber Orchestra
–
Bigger Bach Set
5:04
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iv. Recitative (Alto, Soprano, Tenor, Bass): O kalter Männer Sinn
Hilde Rössl-Majdan
Walter Berry
Akademie Choir
Felix Prohaska
Kurt Equiluz
Vienna Chamber Orchestra
Maja Weis-Osborn
–
Bigger Bach Set
1:14
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: v. Aria (Soprano): Seele, deine Spezereien
Maja Weis-Osborn
Felix Prohaska
Vienna Chamber Orchestra
Akademie Choir
–
Bigger Bach Set
7:31
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vi. Recitative (Tenor, Bass, Alto): Hier ist die Gruft
Kurt Equiluz
Hilde Rössl-Majdan
Vienna Chamber Orchestra
Felix Prohaska
Walter Berry
Akademie Choir
–
Bigger Bach Set
1:09
263 Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vii. Aria (Tenor): Sanfte soll mein Todeskummer
Kurt Equiluz
Felix Prohaska
Akademie Choir
Vienna Chamber Orchestra
–
Bigger Bach Set
7:19
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: viii. Recitative (Soprano, Alto): Indessen seufzen wir
Maja Weis-Osborn
Vienna Chamber Orchestra
Hilde Rössl-Majdan
Akademie Choir
Felix Prohaska
–
Bigger Bach Set
0:59
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ix. Aria (Alto): Saget, saget mir geschwinde
Hilde Rössl-Majdan
Felix Prohaska
Vienna Chamber Orchestra
Akademie Choir
–
Bigger Bach Set
4:40
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: x. Recitative (Bass): Wir sind erfreut
Walter Berry
Akademie Choir
Felix Prohaska
Vienna Chamber Orchestra
–
Bigger Bach Set
0:46
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: xi. Chorus: Preis und Dank
Akademie Choir
Vienna Chamber Orchestra
Felix Prohaska
–
Bigger Bach Set
3:07
Cantata No.50: Nun ist das Heil und die Kraft (St. Michael), BWV50
Orchestra of the Vienna State Opera
Felix Prohaska
Choir of the Vienna State Opera
–
Bigger Bach Set
3:59
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: i. Chorus: Wachet! betet! betet! wachet!
Wiener Symphoniker
Felix Prohaska
Choir of the Bach Guild
–
Bigger Bach Set
4:29
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ii. Recitative (Bass): Erschrecket, ihr verstockten Sünder
Norman Foster
Wiener Symphoniker
Felix Prohaska
Choir of the Bach Guild
–
Bigger Bach Set
1:39
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iii. Aria (Alto): Wenn kömmt der Tag
Erika Wien
Choir of the Bach Guild
Wiener Symphoniker
Felix Prohaska
–
Bigger Bach Set
4:31
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iv. Recitative (Tenor): Auch bei dem himmlischen Verlangen
Hugo Meyer-Welfing
Wiener Symphoniker
Felix Prohaska
Choir of the Bach Guild
–
Bigger Bach Set
0:50
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: v. Aria (Soprano): Laßt der Spötter Zungen schmähen
Anny Felbermayer
Wiener Symphoniker
Felix Prohaska
Choir of the Bach Guild
–
Bigger Bach Set
3:02
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vi. Recitative (Tenor): Jedoch bei dem unartigen Geschlechte
Hugo Meyer-Welfing
Felix Prohaska
Choir of the Bach Guild
Wiener Symphoniker
–
Bigger Bach Set
0:41
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vii. Chorale: Freu dich sehr, o meine Seele
Wiener Symphoniker
State Opera Orchestra
Felix Prohaska
Choir of the Bach Guild
feat.
Felix Prohaska* <conductor>Vienna
–
Bigger Bach Set
2:08
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: viii. Aria (Tenor): Hebt euer Haupt empor
Hugo Meyer-Welfing
Wiener Symphoniker
Felix Prohaska
Choir of the Bach Guild
–
Bigger Bach Set
3:43
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ix. Recitative (Bass): Ach, soll nicht dieser große Tag
Norman Foster
Felix Prohaska
Choir of the Bach Guild
Wiener Symphoniker
–
Bigger Bach Set
2:16
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: x. Aria (Bass): Seligster Erquickungstag
Norman Foster
Wiener Symphoniker
Felix Prohaska
Choir of the Bach Guild
–
Bigger Bach Set
3:20
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: xi. Chorale: Nicht nach Welt, nach Himmel nicht
Wiener Symphoniker
Felix Prohaska
Choir of the Bach Guild
–
Bigger Bach Set
1:20
Cantata No. 53: Schlage doch, gewünschte Stunde, BWV53: Aria, “Schlage doch, gewunschte Stunde"
Maureen Forrester
I Solisti di Zagreb
Antonio Janigro
–
Bigger Bach Set
9:27
Passion According to St. John, BWV245: Aria, “Est ist vollbracht"
Maureen Forrester
Antonio Janigro
I Solisti di Zagreb
–
Bigger Bach Set
6:50
Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, “Widerstehe doch der Sünde"
Maureen Forrester
I Solisti di Zagreb
Antonio Janigro
–
Bigger Bach Set
9:03
Passion According to St. Matthew, BWV244: Recitative, “Du Lieber Heiland"
Maureen Forrester
Antonio Janigro
I Solisti di Zagreb
–
Bigger Bach Set
5:55
Cantata No.55: Ich armer Mensch, ich Sündenknecht (22nd Sunday after Trinity), BWV55: Aria, 'Erbarme dich'
Maureen Forrester
Antonio Janigro
I Solisti di Zagreb
–
Bigger Bach Set
8:47
Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Recitative: “Die art verruchter Sünden"
Maureen Forrester
I Solisti di Zagreb
Antonio Janigro
–
Bigger Bach Set
1:37
Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, “Wer Sunde tut"
Maureen Forrester
I Solisti di Zagreb
Antonio Janigro
–
Bigger Bach Set
3:19
Christmas Oratorio, BWV248: Aria, “Bereite dich, Zion"
Maureen Forrester
Antonio Janigro
I Solisti di Zagreb
–
Bigger Bach Set
5:28
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: i. Sinfonia
Maureen Forrester
Anton Heiller
I Solisti di Zagreb
Antonio Janigro
–
Bigger Bach Set
7:29
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: ii. Arioso (Alto): Gott soll allein mein Herze haben
Maureen Forrester
Antonio Janigro
Anton Heiller
I Solisti di Zagreb
–
Bigger Bach Set
2:26
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iii. Recitative (Alto): Was ist die Liebe Gottes?
Maureen Forrester
Anton Heiller
I Solisti di Zagreb
Antonio Janigro
–
Bigger Bach Set
1:00
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iv. Aria (Alto): Stirb in mir, Welt
Maureen Forrester
I Solisti di Zagreb
Antonio Janigro
Anton Heiller
–
Bigger Bach Set
5:32
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: v. Recitative (Alto): Doch meint es auch dabei
Maureen Forrester
Antonio Janigro
Anton Heiller
I Solisti di Zagreb
–
Bigger Bach Set
0:31
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: vi. Choral: Du süße Liebe, schenk uns deine Gunst
Maureen Forrester
Anton Heiller
I Solisti di Zagreb
Antonio Janigro
–
Bigger Bach Set
1:03
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2016
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